Analytic Martial Arts

Thursday, August 30, 2007

What To Compare?

I've said that we're going to be engaging in comparative analysis, which means that we have to select those martial arts which we are going to compare. This is a process fraught with potential for disaster; if we choose poorly we'll end up doing nothing more than reinforcing our own biases. So its important that we try to identify some practice-agnostic criteria to help us on our way.

This blog is primarily concerned with exploring the martial arts as they are practiced in the US, so it would be a mistake not to include those arts which are popular here. By this I mean to include not only those that have significant followings, but also those that have inserted themselves into the public consciousness over the years. I'll toss out the following off the top of my head:

  • Karate
  • Kung-fu
  • Tae Kwon Do
  • Judo
  • Muay Thai
  • Jeet Kune Do
  • Jiu Jitsu
  • Capoeira
Obviously this list has problems already. The terms "karate" and "kung-fu" encompass a huge range of practices; to talk about one or the other monolithically risks the (perhaps justified) wrath of their practitioners. Some people are likely to say "Jeet kune do? Isn't that just karate?". To which I'll reply "Yes, but Bruce Lee is probably the single most recognizable martial artist in America, so it merits special mention". This list also excludes boxing, aikido, tai chi, and kendo. Boxing is excluded on the grounds that it's not typically thought of as a "martial art", while the rest failed the initial cut because they aren't as popular (by either definition). But all four represent distinct traditions with interesting things to say, so "popularity" clearly isn't the only metric to consider.

So now our list looks like

  • Karate
  • Kung-fu
  • Tae Kwon Do
  • Judo
  • Muay Thai
  • Jeet Kune Do
  • Jiu Jitsu
  • Capoeira
  • Tai Chi
  • Aikido
  • Kendo
  • Boxing
But this list is very heavy on the East Asian martial arts. Depending on how you classify Jiu Jitsu (Brazilian, but derived from a Japanese art), there are only two or three which count as non-Asian. Surely there's valuable martial practices to be found outside of East Asia?

And that's where my personal experience peters out. We're going to have to dig together to find out what's out there, but first we should set some ground rules. I justified including kendo, aikido, and tai chi on the grounds that "represent distinct traditions with interesting things to say". What did I mean by that? Well, aikido and tai chi are "internal" or "soft" arts, with a distinctly different emphasis than the "external" or "soft" arts already on the list. Kendo is the only art I can think of that focuses on weapon work. Those focuses aren't covered by the other arts, thus helping to broaden the variety of techniques we're going to compare. But the "tradition" portion is important as well; we want to look at arts that have some substance to them, and longevity/historical depth seems to be a good initial proxy for this.

So what now? Time to start breaking out those encyclopedias. I know I pooh-poohed them earlier, but I think they're valuable in this instance because they can help us to inform ourselves about major traditions outside of East Asia. As far as I can tell the gold standard right now is Martial Arts of the World: An Encyclopedia by Thomas Green. Unfortunately its on the pricey side, so we're going to have to make do with lesser sources. After poking around what's currently available on Amazon it looks like the next best thing is the Ultimate Martial Arts Encyclopedia. The reviews are positive, and they mention specifically that the book covers non-Asian arts as well; the other encyclopedias appear to concentrate on the Asian arts. So we'll return to consider this topic further once I've had a chance to give the book a once-over.

Tuesday, August 14, 2007

What Is A Martial Art?

I've gotten ahead of myself; I've spent lots of time talking about the "martial arts" without defining what I mean by that phrase. I'm not going to get really fancy here; this blog isn't an attempt to re-imagine the concept as a whole. Rather, I'm primarily interested in exploring modern practice, so I'm going to try to capture the gist of the term as it is commonly understood.

In an effort to suss out the boundaries of what it means to be a "martial art" I present to you five different practices: kung fu, boxing, tai chi, wrestling, and yoga. Which of these, if any, represent a genuine martial art? My gut reaction is as follows:

  • Kung fu: Without a doubt.
  • Boxing: Yes, though its not often cast in that light.
  • Tai chi: Maybe, but it's definitely an edge case.
  • Wrestling: Iffy... I lean towards "no".
  • Yoga: Definitely not.

So let's start with the easy distinctions: Why is kung-fu a martial art while yoga isn't? The essence, the driving principle underlying the practice of kung fu, is preparation for individual combat. Most of its practices are designed to prepare the practitioner for or are inspired by individual combat. In yoga, on the other hand, you have to strain very hard to hear even the faintest echo of anything martial.

How about the others? Why is boxing a definite yes but the others are sketchy at best? Bluntly, boxing is about beating the tar out of your oponents. In some sense its even more of a martial art than kung fu since it doesn't indulge in aesthetic or meditative practices. But can't the same be said of wrestling? Yes... sort of. I think of wrestling (Olympic, not WWE) like I think of tournament sparring... its an elaborate game of tag. Its not really suited for anything other than the controlled environment of competition. Though it could easily become a martial art; maybe we'll run across something like that in our explorations.

And tai chi... what to make of that? I'm of the understanding that most people practice it for its health benefits. But that's not an immediate disqualifier... many people practice the martial arts principly as a form of exercise. It's also true that, when you get really good at tai chi, you can engage others in unarmed combat. But that's more of an atavism reflecting tai chi's historic roots than a benefit which most practitioners seek to accrue.

Looking at what I've written above, I'd say that focus and intention matters an awful lot in determining whether something is a martial art. Can the practice in question legitimately claim to help you hold your own in a fight? That, I think, is the fundamental distinction. A person who boxes, or who does kung fun, will have a good set of tools at their disposal and will have practiced how to use them. A wrestler, or someone who does tai chi, has an incomplete set of tools and probably doesn't know how to use them in the real world.

So then, I think that a good definition is as follows: A martial art has, as an important focus, the preparation of the practitioner for individual combat in an uncontrolled setting. This definition seems to capture the common understanding fairly well.

Saturday, August 11, 2007

Introduction

So, the question is "What are we doing here?". We're here, in large part, because there's a dearth of quality writing on the martial arts in a format which is accessible to the average reader. This is especially true with respect to comparative studies; such material may be out there, but if it is I'm not sure where you'd find it.

Before getting in to the thick of the discussion I think its important to emphasize that, in the end, I'm just a guy with a web-page. I make no claim to any sort of formal training; the only assets I have in my favor are an abiding interest in the martial arts, facility with the written word, a few brain cells, and time to kill. Much of what I say will be based largely on my own personal experience and perceptions; I hope that this project will provide me with the impetus to conduct more formal research and perhaps draw other people with interesting things to say out of the woodwork. I'm also somewhat limited in my perspective; my direct experience involves East Asian martial arts as practiced in the United States, so I've undoubtedly got some big blind spots. Caveat lector.

Caveats out of the way, why is it so hard to find good writing on the martial arts? Or is that putting the cart before the horse? I've not yet demonstrated my basic premise; before you look at the "whys" of a phenomenon its behooves you to be sure that such a phenomenon actually exists. Since "there's a dearth of quality writing on the martial arts" is a matter of opinion the best I can hope to do is persuade rather than prove.

Consider the experience of buying a book on the martial arts. You go into Borders or Barnes & Nobles and head towards their sports sections. To their credit most of the mega-booksellers have a couple shelves dedicated to the martial arts, but the contents of those shelves are hit-or-miss. What are you likely to find therein?

In my mind I tend to group the books into three rough categories:

  • Crap
  • Practitioners' guides
  • Everything else
Let's take a look at each of these categories:

Crap

I think that the single biggest problem with the practice of the martial arts in general is that, to borrow a word from Orac, its totally infested with "woo" of various kinds. In the United States the martial arts are strongly associated with Orientalism and/or Oriental mysticism, leading to the propagation of a great deal of information of dubious provenance and merit. Credulous consumers can buy books on how to become a ninja, improve their chi, kill with a single touch, etc. These books often suffer from low production values and give no assurance other than the author's word that ey're not just making shit up. There's little doubt, in my mind at least, that many of the authors and publishers are playing on people's hopes, dreams, and insecurities to make a quick buck.

Practitioners' Guides

This category contains all of the single-art manuals out there, which seem to account for the majority of titles you're likely to find at the book store. These books are intended for people who are learning/want to learn a particular discipline. They obviously vary greatly in quality but, unlike the crap above, at least they represent authentic traditions with time- and field-tested techniques.

But these books also, as a general rule, share a couple of deficiencies. Their authors are preaching to the choir. They don't intend to demonstrate the virtues of the art to the skeptical, but rather guide those who have already committed to its practice. As such they tend to be pretty heavy on the received wisdom, emphasizing the "what" of the practice but not spending much time discussing the "why". Their emphasis on a particular tradition and the emulation of its forms also makes them vulnerable to the propagation of erroneous information, though obviously to a much lesser degree than the crap. Lastly, and this is less a critique than just the nature of these books, they almost always limit their discussion to just one particular art.

Everything Else

What's left are the books which a) aren't obviously crap and b) aren't "howto" manuals for a particular discipline. Your best bet to find thoughtful writing about the martial arts falls in this category, though the real gems are few and far between. If you're lucky you'll find items like The Book of Five Rings, a (somewhat) discipline-agnostic discussion of martial practice. Sometimes you can find various encyclopedias of the martial arts, but I have, as a general rule, been disappointed with their quality, finding them to be little more than general descriptions accompanied by pretty pictures. While certainly useful these books also skimp when it comes to trying to get a deeper understanding of the "whys" of the martial arts.

I think the above demonstrates some general trends in the available literature. Materials which are currently available tend to be:

  • woo-ish
  • heavy on description and light on explanation
  • limited to specific disciplines
I believe that there's a lot to learn by writing specifically to counteract these tendencies. The posts which follow will (hopefully) tend to:
  • be empiric
  • describe the "whys", not just the "hows", of martial practice
  • be cross disciplinary

Sifu Brian Bateman, of the Rochester Shaolin Training Academy, once told me that the martial arts are like bread: there are many different types of bread, but they all start with flour and water. By this I believe he meant that, though the outward forms may look different, all martial arts are grounded in common principles. It is my hope that, by comparison of practice across a number of disciplines, I can begin to elucidate the "flour" and the "water".

Wednesday, August 8, 2007

Manifesto, Or Statement Of Purpose, Or Something

Welcome, all. Hopefully some of you folks already know me from my general-wankery blog, Shiny Ideas. This new one represents a forum where I can work out some ideas about the martial arts that have been bouncing around in my head for awhile. There's a whopping great bucket of mysticism surrounding the martial arts; I think the universe as a whole could benefit from a more empirical approach. I'm hoping that, provided the planets line up correctly, I'll eventually be able to turn the material I post here into a book. So the posts are going to, as a general rule, look and proceed in a book-ish manner. Comments are welcomed, all rights reserved, etc. etc. etc.